Magpie {55}


Porcelain, wood fired bowl with lithium glaze liner, by Patricia Shone

I saw a photograph of this beautiful piece on Patricia’s Instagram feed just over a month ago when she was exhibiting at Earth and Fire. I’ve admired her new porcelain work for a while now, and what with a rather large birthday coming up at the end of the year it didn’t take much to convince me to treat myself to an early present.

Patricia’s work is inspired by the landscape of the Isle of Skye – one of my favorite places in the world, and where I spent many summer holidays growing up. She creates pieces by either throwing or cutting into solid lumps of clay, and then texturing and stretching to make the finished forms. I had the pleasure of watching Patricia demonstrate some of her process a few years ago at the Scottish Potters Association spring workshop.

See also:
Magpie {36}
Surface

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Work space

Three years ago this summer my new shed studio was finally finished. It was two months late and I was desperate to get back to work, already having taken four months off to project manage alterations to our home. My previous work space was our tiny scullery which I shared with the boiler, sink, washing machine and fridge freezer.

I rushed moving in without paying great attention to layout, and it worked fine for a time. I bought flexible metal shelving and a table that I could move around the limited space as I needed. However, as months passed I began to realise various shortcomings… no sturdy workbench, no possibility of another wheel, the kiln taking up a huge proportion of the space. The interior is lined in very industrial orange OSB board. I painted the ceiling and one wall white a year ago and this added some much needed light, but the space still felt very functional.

     

I admit to having total studio envy when I see photographs of other people’s workshops on social media. In particular Pip Wilcox’s serene environment, and Tasja Pulowska’s multifunctional space. I knew I wanted a little of both.

Following much thought, discussion and deliberation about what improvements to make, a joiner fitted some bespoke shelving (inspired entirely by Tasja’s), and a workbench with additional storage. I then spent two weeks painting, and slowly moving everything back in a much more considered way. I now have a compact space that works better on so many levels; it’s a beautiful environment to be in, it works as a studio and gallery, and it’s flexible.

I’m glad that I took time before making the investment to upgrade. It’s good to know how you use a space, what the faults are, and how they could be improved.

So here it is… my new place of work.
I’m now really looking forward to open studios in September.


Much more storage and display space


Less cramped wheel space (spot the dog)


The kiln is now on wheels so it can be moved back when not in use


Standing height workbench to help my back, with storage for all my beach treasures

 

Magpie {51}

DUNCAN2bjulietmacleod2016
DUNCAN2ajulietmacleod2016
High-fired, medium stoneware bowl, by Susan Duncan

I mentioned a while ago that I bought two things from Susan Duncan last summer when I visited her studio in Lochcarron, on the west coast of Scotland. This is the second bowl, and it is difficult to do it justice in a photograph. The way the deep blue glaze breaks to black over the rim and throwing lines is spectacular. I’m now wishing I bought two of them.